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[post_date] => 2016-07-26 19:47:56
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[post_content] => This painting is a concentration of emotion and movement through one night of live painting at the Drake Hotel Underground. It captures the entirety of live painting on a stage with dozens of party goers around as the music blasts from behind the DJ booth. The bartender ignoring a whole side of the bar as anxious and angry patrons wait 10-20 minutes for one drink. A toxic fueled night of energy drinks and alcohol sweep past and as they engage in dancing; so do I. All of my body movements is interpreted into this painting, causing an effect and aesthetic that is hard to explain but seems to be present and now ever lasting.
[post_title] => This Side of The Bar
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[post_content] => My work is based on the observation, interpretation and expression of a moment. it is done Alla Prima so I work while the paint is still wet. The reason being is when it dries you can see all the brush marks. The brush work shows all the conscious thoughts of that artist. This is what I am interested in. How one articulates a passing moment. Like a story teller but the medium is paint. I believe in language being important to bridge gaps. Painting is a visual language and every culture can come together and communicate. Art has taught me appreciation.
[post_title] => Carnations, vegetables and cup
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[post_content] => Cavalier de sable
De l’indigo à l’or, de Tombouctou à Merzouga, entre dunes et sable, de palmeraies en oasis, Marie-Denise Douyon rend hommage aux cavaliers, aux hommes du Sahara et à leurs traditions. Le vent citadin de la modernité souffle en bourrasques emportant dans sa nuée de sable, savoirs, rythmes et secrets ancestraux.
From indigo to gold, Timbuktu to Merzouga, between dunes and sand, from palm groves to oases, Marie-Denise Douyon pays tribute to riders, Sahara men and their traditions. The urban wind of modernity blows in, erasing knowledge, rhythms and ancestral secrets with its sandy gusts.
[post_title] => Cavalier de sable (Sand Rider)
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[post_content] => Mon travail relève autant des procédés picturaux spécifiques de la peinture à l'encaustique (cire d'abeille et pigments) que de la libre représentation d'une vue en plongée. Dans le projet dont fait partie le tableau Ébène, j'ai collecté des motifs issus de la nature vus de haut -spirales, embranchements, bulles etc.-, je les ai observés de manière macroscopique avant de les traduire en peinture. L'expérience du médium, la cire, successivement liquide, molle ou durcie transforme l'image et m'amène à produire des réalisations si situant entre l'abstraction et la représentation. Ce tableau fait partie d'une série de monochromes texturés peints à l'encaustique.
Mots clés de ma pratique : peinture, couleurs, textures, matérialité, vue aérienne, abstraction
www.francoisesegard.com
My work reveals specific pictorial processes, from paint to wax (beeswax and pigments), as well as the free representation of a bird's eye view. In the project that includes Ébène, I've collected patterns of nature as seen from an overhead view—spirals, branching, bubbles, etc.—, which I observed from a macroscopic point of view before transposing them to the canvas. Experiencing the wax in its various forms—liquid, soft, hardened— transforms the image and leads me to produce art that is situated between abstraction and representation. This work is one of a series of textured monochromes painted with wax.
Key words in my art: paint, colors, textures, materiality, bird's eye view, abstraction
www.francoisesegard.com
[post_title] => ÉBÈNE (EBONY)
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[post_content] => NU & nomade est un projet de recherche et création en installation, photographie et manœuvre publique.
Durant l’année 2016-2017, je vais entamer une série de travaux artistiques sous la thématique du titre de travail NU & nomade. Mon objectif est d'appuyer une recherche de sens et une esthétique plastique, en créant des images photographiques et performatives qui provoqueront un état de rencontre entre paysages, corps et objets sculpturaux.
NN_session I est une photo faisant partie de la série photographique de la session I du projet NU & nomade.
NU & nomade is a research and design project about installation, photography and public operation.
During 2016-2017, I will be starting a series of pieces under the working title of Nu & nomade. My goal is to support a search for meaning and aesthetics, by creating photographic and performative images that will provoke a state of meeting between landscapes, bodies and sculptural objects.
NN_session 1 is a photo that is part of the photographic series in session 1 of the Nu & nomade project.
[post_title] => NN_session I
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[post_date] => 2016-08-09 09:11:43
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[post_content] => Cette toile ce veut une représentation artistique d'une quête perpétuelle cherchant à atteindre la perfection. Plus je peins, plus les personnages deviennent conceptuels. L'idée du réel meurt peu à peu. Voici ma dernière oeuvre intitulée "FEMME ROBOT".
This painting is meant as an artistic representation of a perpetual quest for perfection. The more I paint, the more my characters become conceptual. The idea of what's real dies, little by little. This is my latest work, entitled Femme robot (Robot Woman).
[post_title] => FEMME ROBOT (Robot Woman)
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[post_date] => 2016-08-10 08:58:38
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[post_content] => Et puis, pourquoi pas, pourquoi se préoccuper des propos de autres...
So what, why should one be concerned with others' comments...
[post_title] => Et puis (so what)
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[post_content] => Amalgame
Dimension: 35'' X 48''
Oeuvre sur acier réalisée par l'utilisation de plusieurs techniques.
Canevas en acier: travaillé avec une gravure artisanale
Création visuelle : art digital, peinture acrylique et époxy
Dimensions: 35" x 48"
Artwork on steel using various techniques.
Steel canvas: hand engraved
Visual: digital art, acrylic paint and epoxy
[post_title] => Amalgame (Commingling)
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[post_content] => 56 profils of heads put together
[post_title] => 56 profils together
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[post_content] => Méandres mère est une fermeture éclair géante mesurant 6 mètres de longueur
Elle fut entièrement créées par impression 3D. Elles revêtent cependant un aspect particulier : elle est composée de maillons dont la forme, les dimensions et le matériau varient. Ceci entraînant des espacements inégaux, l’emboîtement parfois forcé des maillons forme alors une chaîne présentant des tensions et des torsions, voire même des cassures.
Méandres mère matérialise néanmoins une réflexion sur l’évolution. Elle se propose ainsi comme une représentation fossilisée des projets de création, de l’instant où l’idée germe dans l’esprit à celui de leur réalisation, tout en démontrant la façon dont les décisions et les tentatives les font évoluer. Le cheminement peut être heureux et aisé, tout comme il peut s’avérer ardu et sinueux. Parfois même il devra s’interrompre. Véritable marqueur du temps, le curseur se déplace le long de la fermeture et soude tant bien que mal les maillons que sont les événements, les choix et les essais passés.
PS: le poids est plus au alentour de 22kg, la case ne permet pas plus que 999g
Méandres mère is a giant, 6-meter long zipper. It was entirely created with 3D printing. However it has a unique aspect: the shape, dimension and material of each link varies. This leads to uneven spacing, with an interlinking that is sometimes forced, which in turn creates a chain filled with tension and torsions, or even breakage.
Nevertheless, Méandres mère materializes a reflection on evolution. It offers itself as a fossilized representation of creative projects, from the moment an idea forms in the mind to its realization, while demonstrating how decisions and attempts will make them evolve. Sometimes the process can be happy and easy, while in other instances it can be riddled with twists and turns. Sometimes it may even be interrupted. Acting as a time marker, the zipper's tab moves along, bringing together the ill-fitting links that are past events, choices and attempts.
PS: The weight of the artwork is around 22 kg, the box does not allow for more than 999 g
[post_title] => Méandres mère (Mother Meanders)
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[post_content] => DEMARCHE
Noémie Weinstein mène une réflexion sur la temporalité, la solitude et l’absence à travers la représentation d’espaces fragiles et lointains en peinture et en dessin, Ses toiles font état d’un monde silencieux et distant où l’absence humaine est omniprésente, suscitant une atmosphère parfois pesante. Son travail joue avec les oppositions; la forme et l’informe, la rigueur et la souplesse, la surabondance et le vide. Elle recherche la limite entre un environnement rassurant et familier et un univers anxiogène, troublant.
Noémie Weinstein reflects on temporality, solitude and absence through the representation of fragile, remote spaces in paintings and drawings. Her works display a silent, faraway world where human absence is omnipresent, creating a sometimes heavy atmosphere. Her work is one of oppositions: shapes and misshapes, rigour and flexibility, overabundance and emptiness. She is looking for the line between a reassuring, familiar environment and an anxiety-ridden, troubling universe.
ARTIST STATEMENT / BIOGRAPHY
Noémie Weinstein lives and works in Montreal, Québec. Her painting and drawing explores the notions of temporality, loneliness and absence through the representation of architectural spaces. Her works show a silent and distant world where human absence is everywhere, creating sometimes and heavy atmosphere. Her work plays on oppositions such as form and formlessness, rigor and flexibility, abundance and emptiness. Several influences are essential to her thinking like Franz Kafka or Andreï Tarkovski.
Born in France, Noémie Weinstein graduated a master degree from the School of Fine Arts in Bourges, France in 2012. Then she moved to Montreal and made a master in visual and media arts at UQÀM (University of Quebec in Montreal). She obtained in 2012 the excellence award FARE, and graduated in 2016 in UQÀM. Her work has been exhibited in several art centers in Canada in solo and group exhibition.
[post_title] => Renversée (Upended)
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[post_content] => Oeuvre créée à l'aide d'acrylique mélangée à un gel filant. Contemporaine, elle fait référence aux statues de bronze de Degas. On peut sentir le mouvement à travers les lignes courbes qui l'entourent.
Work created with acrylic mixed with spun gel. This is a contemporary reference to Degas's bronze statues. One can sense the movement through the curved lines that surround it.
[post_title] => La ballerine (The Ballerina)
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[post_content] => Exotic view of Montréal
Summer 2016
Positive color reversal film cross processing
[post_title] => Fizz
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[post_content] => Cette photographie représente la poésie des grandes plaines d'Afrique et rend hommage à la beauté des animaux qui la peuplent. Elle fait partie de plusieurs séries où mon univers photographique met en scène d’intemporelles fictions s’appropriant la sémiologie urbaine de mes nombreux carnets de voyages.
J'essaye sans cesse de trouver une nouvelle écriture onirique qui se renouvelle, change et vie. C’est une approche poétique et insolite de la réalité que je vous présente. Elle est intrigante, festive et joyeuse.
Bien qu'ancrée dans des thématiques identifiables, je travaille à réinventer un monde imaginé et fabriqué avec des "morceaux de réel".
This photo represents the poetry of Africa's flatlands, and is an homage to the beauty of the animals that inhabit this territory. It is part of numerous series where my photographic universe spotlights timeless fictions appropriating the urban semiology of my various travel journals.
I constantly strive to find a new dreamlike style that renews itself, changes and lives. It's a poetic and whimsical approach to reality. It is intriguing, festive, joyous.
Although based on identifiable themes, my work is aimed at reinventing a world that is imagined and created with “pieces of reality."
[post_title] => Hakuna Matata #1
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[post_content] => Un détective menacé alors qu'il cherche des indices pour retrouver le criminel et éliminer le danger. Le danger n'est pas l'étrangeté, mais l'homme.
A detective is threatened while looking for clues to find a criminal and eliminate danger. The danger isn't the strangeness, but rather the man.
[post_title] => Strange isn't dangerous
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[post_content] => Diptyque. Sculpture architecturale en béton. Chacune des pièces constituant ce diptyque est l'exact miroir de l'autre. Architecturalement, cette oeuvre explore la dimension intérieur-extérieur et la notion de plein-vide
Diptych. Concrete architectural sculpture. Each piece of this diptych is the exact mirror of the other. From an architectural point of view, this work explores the interior/exterior dimension, and the notion of full and empty space.
[post_title] => Plus / Minus
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[post_content] => Opposition de la beauté contre le temps qui nous dégrades.
Tout ce qui est vivant, du plus petit fruit à l'homme le plus influent,
tous, devenons au final, une décomposition qui nourrie les insectes...
(Le poids de l'oeuvre est d'environ 5Lbs, l'option en g. ci-bas ne me donne pas assez d'espace pour mettre le chiffre complet)
Beauty's opposition against time that degrades us.
Every living thing, from the smallest fruit to the most influential man, eventually ends up as decomposition that will feed insects.
(Total weight of the work is about 5 lbs., the option at the bottom does not leave enough space to input the whole number)
[post_title] => Decomposition
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[post_content] => Dérive no.6 fait partie de mon nouveau projet intitulé DÉRIVE OU CHANGEMENTS CLIMATIQUES. Mariant la peinture et la sculpture-installation, ce projet est présentement en processus de création. Tout en poursuivant ma recherche sur la relation entre "corps" et "matière", je cherche à évoquer, dans ce projet, un univers chaotique où la dérive de l'être humain, face à son environnement, s'exprime de façon abstraite, poétique et symbolique. À travers un concept évolutif, je fusionne le corps et la matière dans une poésie abstraite et symbolique, où le jeu des couleurs vives et joyeuses entre en contraste avec le regard critique sur la dérive humaine qui se dévoile progressivement à travers le processus créatif.
Ici, corps et matière sont étroitement liés dans un engrenage auquel ni l'un, ni l'autre, ne peut s'en dégager.
Dérive no.6 est la plus récente oeuvre du projet.
Dérive no.6 is part of my new project entitled DÉRIVE OU CHANGEMENTS CLIMATIQUES [Downward slide or climate change]. Combining paint and sculpture-installation, this project is currently going through its creation process. While pursuing my research on the body/matter relationship, I'm striving to evoke a chaotic universe where the human being's helplessness towards his environment is expressed in an abstract, poetic and symbolic manner. Through this evolutive concept, I merge body and matter in abstract and symbolic poetry, where vivid, joyous colors are in sharp contrast with man's downward slide, which gradually reveals itself through the creative process.
Here, body and matter are entwined in the gears of a wheel from which neither can escape.
Dérive no. 6 is the most recent work in this project.
[post_title] => Dérive no.6
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[post_content] => Black Hole
2016
crayons aquarelle sur papier Arches
55.88 cm x 76.20 cm
Black Hole 2016: Watercolor crayons on Arches paper
55,88 cm x 76,20 cm (22" x 30")
[post_title] => Black Hole
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[post_content] => Point de vue et réinterprétation par le photographe de la sculpture « Obélisque oblique » du sculpteur Henri-Georges Adam, créée en 1962 afin de souligner l'Exposition universelle de 1967 à Montréal.
Support : Photo, sténopé, 120mm, couleur Fujichrome. Traitement croisé argentique.
Photographer's point of view and reinterpretation of the “Oblique Obelisk” sculpture created by Henri-Georges Adam in 1962 to celebrate Montreal's Expo 67.
Medium: Photo, pinhole, 120 mm, Fujichrome color film. Silver based cross processing.
[post_title] => Éclair de génie dans le ciel de Montréal
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[post_content] => Photographie numérique de deux Thaïlandais à mi-chemin entre deux identités sexuelles dans un bain à Bangkok. La transition du genre est favorisée en Thaïlande et ce projet consiste à rencontrer des Ladyboys pour comprendre le phénomène et sensibiliser les publics à la différence.
Digital photography of two Thai youths midway between two sexual identities in a bath in Bangkok. Gender transition is encouraged in Thailand, and this project aims at meeting Ladyboys to understand the phenomenon and raise public awareness with regards to this difference.
[post_title] => James and Double Beauty in the Bath, BKK, Thailand
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[post_content] => La religion catholique est une partie intégrante de l'histoire du Québec. Il ne faut pas creuser loin dans les archives pour comprendre qu'elle n'était pas aussi pure qu'elle ne le prétendait. La vierge magie est un clin d'oeil aux campagnes de propagande axées sur la tentation de l'interdit en plus de faire référence à l'inexplicable attribuable à Dieu, ici appelé «magie». Voilant ces secrets tel un magicien, enchainant ses fidèles au moyen de belles paroles, l'église catholique, As de l'illusion, dévoile tranquilement son vrai visage: «La Vierge Magie».
Catholicism is an integral part of Québec's history. One does not have to dig deep into the archives to understand that it wasn't as pure as it claimed to be. La Vierge Magie is a small nod to the propaganda campaigns about the temptation of the forbidden fruit, and also refers to attributing all that is inexplicable (or magic) to God. Covering up its secrets like a magician, binding the faithful with its good words, the Catholic church, master of illusion, slowly reveals its true face: The Virgin Magic.
[post_title] => La Vierge Magie [The Virgin Magic]
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[post_content] => Possédant une forme de synesthésie, j’ai peint ce tableau en me laissant envoûter par la musique hindi. Envahie par le rythme et l’exotisme propre à cette culture, j’ai agi à titre de catalyseur pour créer ce tableau intitulé «Rythme Hindi». Mes expérimentations visuelles sont réalisées de façon instinctive et souvent inspirée par mes découvertes musicales ou tout événements qui attisent mes sens et ma curiosité intellectuelle. Ce qui me permet de renouveler ma créativité à travers chacune de mes peintures.
Eric J. Hughes
Having a form of synesthesia, I painted this piece inspired by Hindi music. Submerged by the rhythms and exotism that define this culture, I acted as a catalyst to create this piece entitled Hindi Rhythms. My visual experiments are executed in an instinctive fashion, often inspired by my musical discoveries or by any event that tantalizes my senses and my intellectual curiosity. This allows me to renew my creativity through each of my paintings.
Eric J. Hughes
[post_title] => Rythme Hindi / Hindi rhythm (Hindi Rhythm)
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[post_content] => Pour cette création jʼai choisi de traduire la lumière au moyen de matériaux et techniques propres à mon domaine à savoir lʼimpression textile.
Le projet propose une vision tricolore de la lumière.
Le motif imprimé est une interprétation, une vision dʼun néon lumineux et de son halo.
Une couleur très saturée, très dense au centre qui se disperse et sʼallège sur les cotés. Une traduction de la couleur dans laquelle la couleur devient un ensemble de formes agencées selon un ordre précis.
Flashlight fait référence à la dispersion de la lumière blanche jouant sur 3 niveaux de couleurs. Comme si la lumière centrale se décomposait au fur et à mesure. L'impression du design sur toile transparent permet une superposition de motifs et de couleurs qui rend encore plus vibrante l'oeuvre finale. Un jeu de dispersion apparaît , jeu au travers duquel l'oeuvre interroge notre perception en jouant sur le dévoilé/caché des couleurs .L'effet de diffusion dû à la découpe de lamelles permet une découverte progressive du dessous de la toile. L'oeuvre est une expérience unique à chacun car sa perception dépend de la position du spectateur , de sa mobilité et de sa vision des couleurs. Les types de tissus utilisés offrent un rendu vibrant et net.
For this creation, I have chosen to translate light using materials and techniques that specific to my field, that is textile printing.
The project offers a tricolor vision of light.
The printed pattern is an interpretation, a vision of a neon light and its halo.
A very saturated, very dense color in the middle disperses and lightens towards the edges. A translation of color where color becomes a series of shapes laid out in a precise order.
Flashlight refers to the diffusion of white light playing on 3 levels of colors. As if the central light decomposed itself, bit by bit. Printing the design on a transparent canvas allows for the superimposing of patterns and colors, which adds vibrancy to the final result. A feeling of dispersion comes through, whereby the piece questions our perception by hiding/revealing colors. The diffusion effect generated by the cut-out allows for the gradual discovery of what lies beneath the canvas. This piece is a unique experience for each viewer, as its perception will depend on the person's position, mobility, and vision of colors. The types of fabrics used provide a vibrant, crisp finish.
[post_title] => Flashlight
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[post_content] => In this piece, the character is presented as a white rose. The rose is the queen of flowers. It represents grace, love and beauty. The character appears before us as in the middle of an initiation. It extends its arm towards a vision. Not its own, as it has no face. It is more of an interior perception, a deep feeling... a clairvoyance.
Its thorns evoke both a rose's actual physical attributes and the character's protection against nefarious influences. Thorns are the guardians of purity. The character wears its thorns on its back, symbolically behind it, since it is turning towards the light. From this point of view, the thorns are its weapons, its shield. Thorns also dissuade others from attacking lest they be injured. Who has not wished, selfishly, to pick a rose?
Stones that inspired the creation of this project: blue sapphire, labradorite, quartz tourmaline.
[post_title] => Transcendance
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[post_content] => Image du but gagnant de Paul Henderson lors de la série du siècle de 1972.
An image of the winning goal scored by Paul Henderson during the 1972 Summit Series.
[post_title] => Le but (the goal)
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[post_content] => Tout est dans l'interprétation des lignes.
L'oeuvre illustre une femme (à gauche) et un homme (à droite) connectés par un trait reliant leurs têtes.
Deux âmes soeurs connectés par l'amitié.
Un amour pour l'amitié.
Gravel.
De l'amour à l'amitié
Acrylique sur toile
30''X24''
Everything lies in the interpretation of lines.
This piece illustrates a woman (left) and a man (right) connected with a line linking their heads together.
Two soulmates connected by friendship.
A love for friendship.
Gravel
De l'amour à l'amitié
Acrylic on canvas
30" x 24"
[post_title] => De l'amour à l'amitié (From love to friendship)
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[post_content] => Ce dessin réalisé à l'encre de chine rend hommage à l'eau. À son mouvement, ses ondulations et le mystère qu’elle inspire. D'une mouvance à l'autre, la force et la fragilité se côtoient. Le geste est directement lié à l’émotion du moment. Je dessine avec de l’encre de chine à l’aide de la plume, de pierres, de pinceaux et de bois ramassée au passage au bord de l'eau. J'essaie de capter l'essence même de cette vie qui me berce et me brusque, dans les entrelacs de son mouvement incessant entre le rêve contemplatif et la réalité.
This drawing made with India ink pays tribute to water. Its movement, undulations, and the mystery it inspires. From one shift to another, strength and fragility go side by side. The action is directly related to the emotion of the moment. I draw with India ink using feathers, stones, brushes and wood collected by the waterside. I try to capture the very essence of this life that rocks and shakes me, in the interlacing of its continuous movement between contemplative dreams and reality.
[post_title] => Fragment d'eau (Water fragment)
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[post_title] => Judge 10 done with south
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[post_date] => 2016-07-26 19:47:56
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[post_content] => This painting is a concentration of emotion and movement through one night of live painting at the Drake Hotel Underground. It captures the entirety of live painting on a stage with dozens of party goers around as the music blasts from behind the DJ booth. The bartender ignoring a whole side of the bar as anxious and angry patrons wait 10-20 minutes for one drink. A toxic fueled night of energy drinks and alcohol sweep past and as they engage in dancing; so do I. All of my body movements is interpreted into this painting, causing an effect and aesthetic that is hard to explain but seems to be present and now ever lasting.
[post_title] => This Side of The Bar
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[post_modified] => 2016-07-26 19:47:56
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